Deadhype Issue #3 museums writer and curator Tom Holert

writer and curator Tom Holert submits the gambit of conceptualizing contemporary art as an agent of epistemic politics to a genealogical analysis of its political-economic underpinnings in these times of cognitive capitalism

Sculpture is the universal art

of the narrow confines of the cells

and status of things have changed decisively over the past two decades—a development that stems from increasing skepticism about the ability of things to present culture

Deadhype Issue #3 museums writer and curator Tom HolertBerlin based collective deadHYPE. In this ever changing, ever evolving, relentless digital realm, the fleeting lifespan of content falls short of their aspirations, so they made it their mission to create a physical platform not only for themselves, but more importantly, for the incredible talent within their community.